OCC is a Stockholm-based jewelry brand built around handcrafted 925 silver pieces, but the story behind it is personal.
It started when my grandfather passed away. While me and my family were going through the things he left behind, I found a ring. It was made in 925 silver, with “Fagersta” engraved into it, the city he was born in and lived in his entire life.
I asked my mom where he had bought it, because I wanted one in my own size. That’s when she told me something I didn’t expect. He hadn’t bought it. At 70 years old, he and others at his retirement home had taken a silversmithing course, and he made the ring himself.
That moment stayed with me. I was incredibly proud of that ring, and it shifted something. If he could start learning and creating something like that at 70, then there was no reason I couldn’t try myself.
So I did. And that’s where OCC started.
What began as curiosity quickly turned into a craft. Today, OCC focuses on creating durable, well-made silver jewelry that doesn’t just look good when you buy it, but holds up over time.
Every piece is rooted in that same idea: something personal, something made with intention, and something that lasts.
OCC is still growing, but the foundation remains the same. Real craftsmanship, a strong identity, and a story that actually means something.
About OCC Jewelry:
I’m a Stockholm-based creative working across design, content, and brand building. My background is in Digital Design & Strategy from Berghs School of Communication, but most of what I do today comes from hands-on experience across different parts of the creative industry.
I’ve worked as a fashion stylist, been involved in creative direction and content production, and previously ran my own clothing brand. Those experiences taught me how to build a visual identity, understand trends, and most importantly how people actually connect with what you create.
Alongside that, I’ve worked with social media and customer experience, which has given me a strong understanding of how brands are perceived day to day. It’s where strategy meets reality, and it’s shaped how I think about building something that lasts.
Everything I do sits somewhere between aesthetics and function, creating things that not only look good, but feel considered and real.